Editing “The Girl with One Eye” has been a rather cathartic experience, because for the first time I didn’t stare at the piece and rely on intuition alone to solve its inherent problems but look into it as a composite of elements, clank my wrench against them and decide what needs fixing. I’ll have to talk about what being a grown-up writer is all about in a future post, but for now I’ll stick to the lessons my soundtrack taught me about writing. Read More 5 Things Song Covers Taught Me about Writing
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